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Langston Hughes

The Harlem Renaissance and Black Freethinkers’ Philosophy of Art (Guest Post by Christopher Cameron)

If the late 19th century was the golden age of American freethought, as Susan Jacoby posits in her recent biography of Robert Ingersoll, then the same can be said of the early twentieth century when examining African American freethought.[1] The 20-year period from 1925 to 1945 saw an outpouring of black literature that explored themes of atheism and agnosticism in a bolder way than nearly all writers except Frederick Douglass had done before. Countee Cullen published a number of poems attacking the idea of a white God, Zora Neale Hurston’s autobiography Dust Tracks on a Road announced her Deism to Read more